इ i and ई ee
When इ is added to a consonant, you add the image ि towards the left-hand part of this consonant (prior to the consonant). Whenever ई is added to a consonant, you add the expression ी to your right-hand part regarding the consonant (after the 
consonant). उ u and ऊ oo
Whenever उ is added to a consonant, you add the representation ु underneath the consonant. When ऊ is added to a consonant, you add the expression ू underneath the consonant.
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[64] In 2013, Rahman had two releases: Raanjhanaa and Maryan. Both were successful, with the former nominated for a number of awards[65][66][67] and the latter the iTunes India Tamil Album of 2013. [68]
The year 2014 was one of the busiest years for Rahman, with him claiming to have worked in 12 films in various languages. [69] While his first release for the year was the Imtiaz Ali's road movie Highway which garnered positive reviews, his very next release was the performance captured animation film Kochadaiiyaan, a Rajinikanth starrer directed by Soundarya Rajinikanth. The film's score and soundtrack garnered huge critical appraise with its score being long-listed at the forthcoming Academy Awards.
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Rahman initially composed scores for documentaries and jingles for advertisements and Indian television channels. In 1987 Rahman, then still known as Dileep, composed jingles for a line of watches introduced by Allwyn. [22] He also arranged the jingles for some advertisements that went on to become very popular, including the popular jingle for Titan Watches, in which he used the theme from Mozart's Symphony no. 25.
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His father, R. K. Shekhar, was a film-score composer and conductor for Tamil and Malayalam films; Rahman assisted his father in the studio, playing the keyboard. After his father's death when Rahman was nine years old, the rental of his father's musical equipment provided his family's income. [11] Raised by his mother, Kareema (born Kashturi),[12] Rahman was a keyboard player and arranger for bands such as Roots (with childhood friend and percussionist Sivamani, John Anthony, Suresh Peters, JoJo and Raja)[13] and founded the Chennai-based rock group Nemesis Avenue. [14] He mastered the keyboard, piano, synthesizer, harmonium and guitar, and was particularly interested in the synthesizer because it was the "ideal combination of music and technology". [15]
Rahman began his early musical training under Master Dhanraj,[16][17] and at age 11 began playing in the orchestra of Malayalam composer (and close friend of his father) M.
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Yugabharathi's verses, SathyaPrakash & Vandana's rendition is really a delight to listen to. Music of all languages is equally entertaining and performs almost the identical perform of making happiness around you. The newest Tamil songs in 2016 are also geared up with the same characteristic. These songs are referred to the songs of Tamil Nadu, a state in India which is understood for its rich heritage, culture and tradition. Music is very important side of the life of the individuals of Tamil Nadu. The folks from this a part of the Indian sub continent are very possessive about their selection of music and their taste. They are identified for some of the best compositions made ever and thus deliver a unique mixture of class and melody which is comforting in addition to partaking.
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" while you build your profession, you'll start having the ability to nab bigger and bigger roles. More and more people will recognize you, resulting in bigger and much better opportunities. Have patience – this climb up the ladder will take time, and some don't see results for years. Stick with it, believe in yourself, and make your best effort. You'll inevitably experience rejection, but that can't stop you. Let your confidence hold you through. Learn the Hindi vowels.
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Salman Ahmad displays his range in 'Kaise Boloon' which isn't an exemplary song but a solid effort. 'Yeh Nasha' sung by KK has a lovely instrumental arrangement and soft vocals make the song appealing. Naveed Zafar's song 'Fattey Chuck' is quirky and peppered with equal parts of 'bhangra-ish dhol' and electro beats. It is a bouncy number that is easy to sing. Though it is a fine soundtrack overall, the general problem here is that its smashing music is never substantiated with powerful lyrics. 'Rhythm' is mellifluous musically, but not so good with the words which never allows the album to realise its full potential.
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